Friday, 11 December 2009
11/12/09
Today we started our editting. We need to find the noises of a heatbeat, a phone call going dead and our 999 call for the ending. We looked for a MP3 player to record the sound but found out there wasn't any. This was our first major problem, our other problem was to get the rest of the filming done as we need it to edit properly. We all decided it will be finished by sunday, so hopefully then we can start working properly upon our text.
Thursday, 26 November 2009
Synoptic treatment.
For our coursework this year we have chosen to do a piece of text based around the horror genre. We have comprised a main story for our piece and it consists of the following:
It starts with a new report of the anniversary of a young girl who died 20 years previously on her 16th birthday. The new reporter explains that she was tortured by her mother and father and later that day died in hospital.
The next scene you see is that off a normal family which consists of a mother, father and young girl who is the age of 6. The mother and father is about to go for a night out and has hired a baby sitter. The baby sitter arrives and the adults go leaving her with the young child for the whole night.
As the evening gets darker you begin to see that something is not completely right within the household. The audience sees quick flashes of a teenage girl who is dressed within a hospital gown wondering around the house. The first incident that the baby sitter experience’s is when she is watching television and it flicks onto white noise. As this happens the door is being knocked upon in a hurried and panicked manner. The babysitter rushes to the door, believing someone is in serious danger, and opens the door to find no one there. As the camera pans around you see the dead teenage girl stood behind the baby sitter but as the babysitter turns after closing the door she suddenly disappears.
The next scary even to happen is when the babysitter looks at her reflection in the mirror, this is a key scene as it is the first time the babysitter gets to view the dead girl. As she is gazing in the mirror she sees a strange ghostly figure walk past her but yet again as she turns around no one is there. She then runs in to the living to check the news report (after remembering the story on earlier that night about the girl) and as she enters the room you see the door begin to close behind her, this is again the young girl but only the audience is able to view her.
After this the young child she is looking after walks down the stairs complaining about her ‘imaginary friend’ not being able to be quiet. The babysitter sits down with the young girl and starts to sooth her. She walks into the kitchen to grab the young child a glass of milk, as she returns back into the living room you see the dead teenagers stood over the child making her look at her eyes. The babysitter hysterically tries to pull the child out of the trance but fails desperately.
Eventually she goes to bed and wakes in the middle of the night to the duvet being yanked from her and to the scratching of nails down her mirror with the words ‘get out’ written upon it. Panicking she runs into the child’s room and grabs her. However, the child refuses to leave and yet again enters her trance like mode. The babysitter then turn around and sees the dead girl screaming. Panicking again she quickly runs to the phone to call the police. At the end the audience sees a black screen and only hears the phone call. They hear the babysitter screaming for help and then a screeching yell and the hang up tone which represents only one thing, the death of the baby sitter.
It starts with a new report of the anniversary of a young girl who died 20 years previously on her 16th birthday. The new reporter explains that she was tortured by her mother and father and later that day died in hospital.
The next scene you see is that off a normal family which consists of a mother, father and young girl who is the age of 6. The mother and father is about to go for a night out and has hired a baby sitter. The baby sitter arrives and the adults go leaving her with the young child for the whole night.
As the evening gets darker you begin to see that something is not completely right within the household. The audience sees quick flashes of a teenage girl who is dressed within a hospital gown wondering around the house. The first incident that the baby sitter experience’s is when she is watching television and it flicks onto white noise. As this happens the door is being knocked upon in a hurried and panicked manner. The babysitter rushes to the door, believing someone is in serious danger, and opens the door to find no one there. As the camera pans around you see the dead teenage girl stood behind the baby sitter but as the babysitter turns after closing the door she suddenly disappears.
The next scary even to happen is when the babysitter looks at her reflection in the mirror, this is a key scene as it is the first time the babysitter gets to view the dead girl. As she is gazing in the mirror she sees a strange ghostly figure walk past her but yet again as she turns around no one is there. She then runs in to the living to check the news report (after remembering the story on earlier that night about the girl) and as she enters the room you see the door begin to close behind her, this is again the young girl but only the audience is able to view her.
After this the young child she is looking after walks down the stairs complaining about her ‘imaginary friend’ not being able to be quiet. The babysitter sits down with the young girl and starts to sooth her. She walks into the kitchen to grab the young child a glass of milk, as she returns back into the living room you see the dead teenagers stood over the child making her look at her eyes. The babysitter hysterically tries to pull the child out of the trance but fails desperately.
Eventually she goes to bed and wakes in the middle of the night to the duvet being yanked from her and to the scratching of nails down her mirror with the words ‘get out’ written upon it. Panicking she runs into the child’s room and grabs her. However, the child refuses to leave and yet again enters her trance like mode. The babysitter then turn around and sees the dead girl screaming. Panicking again she quickly runs to the phone to call the police. At the end the audience sees a black screen and only hears the phone call. They hear the babysitter screaming for help and then a screeching yell and the hang up tone which represents only one thing, the death of the baby sitter.
Box office takings.
Costume.
CARISSA – News reporter (Caitlin) wears vest top and blazer.
MARK – Ghost Hunter (Mark Simpson) wears black shirt and trousers.
JESSICA –Babysitter (Sophia) wearing white dress.
ABI – Little Girl (Abi) - wearing pink pyjamas.
JESS’ PARENTS – Mum and Dad (Jane and Thomas) Jane in dress and Thomas in shirt.
EMILY – Ghost woman / Ghost Teenager –wears hospital robe, which is ripped and with blood stains (food colouring) on.
MARK – Ghost Hunter (Mark Simpson) wears black shirt and trousers.
JESSICA –Babysitter (Sophia) wearing white dress.
ABI – Little Girl (Abi) - wearing pink pyjamas.
JESS’ PARENTS – Mum and Dad (Jane and Thomas) Jane in dress and Thomas in shirt.
EMILY – Ghost woman / Ghost Teenager –wears hospital robe, which is ripped and with blood stains (food colouring) on.
Requirements list.
Requirements List
•Desk
•Paper
•Sofa
•Television
•Mirror
•Knife
•Knife block
•Bed
•Lipstick
•Shower
•Stairs
•Desk
•Paper
•Sofa
•Television
•Mirror
•Knife
•Knife block
•Bed
•Lipstick
•Shower
•Stairs
Script.
Abandoned
CARISSA – Camera Woman and News reporter (Caitlin)
MARK – Ghost Hunter (Mark Simpson)
JESSICA – Babysitter (Sophia)
ABI – Little Girl (Abi)
JESS’ PARENTS – Mum and Dad (Jane and Thomas)
EMILY – Ghost woman / Ghost Teenager
FADE IN
INT.NEWS STUDIO-EVENING 7.00
There is a close up of a woman who is sitting at a desk, you see her following her auto cue as she describes a local story.
CARISSA
... And now onto the story of a tragic death of a teenage girl, 7 years on. She was brutally murdered on what would have been her 16th birthday, by her mother and father.
FADE OUT
INT.THE HOUSE-EVENING 7.00
The camera is panning across the living room as a black figure is seen in the corner. As the camera pans back across quickly the girl is gone. Throughout this clip there is very dark mise-en-scene and there is also a voice over.
CARISSA
Today, is the day that the parents get released and local ghost hunters have said today will be the day the young girl’s ghost will seek her revenge.
FADE IN
EXT.A FIELD-EVENING 7.00
The scene cuts to a mid shot of Mark stood on a street, waiting to talk to the news reporter.
CARISSA (V.O)
Now let’s speak to one of the local ghost hunters who have recently spoke out about her ghost being active on this day, Mark Simpson. Hello Mark...
Mark looks as if he is going to say hello he has been staring at the camera the whole time.
FADE OUT
FASDE IN
INT.THE HOUSE-EVENING-9.00
The scene shows the babysitter arriving at the house.
THE MOTHER (V.O)
Just play along with her imaginary friend.
Shot of the child’s bedroom door with paintings and drawings on. The parents leave.
FADE OUT
INT. THE HOUSE-EVENING-9.10
The babysitter is sat watching television. Whilst she is watching television there is a loud, persistent banging upon the front door. The babysitter gets up to go and have a look who is banging on the door and finds that there is nobody there.
As the babysitter turns round, the camera gets the first glimpse of the ghost girl, as she walks past the babysitter’s shoulder. The babysitter looks in the little mirror next to the door and she catches a glimpse of the ghost girl in the mirror climbing down the stairs. There is a slow heartbeat sound. As this scares her, she turns around, to her left, to have a look who it is that she has seen. The ghost girl is there and they come face-to-face. This is the first time you see her.
She runs to the kitchen and grabs a knife. As she’s stood in the kitchen, she hears the television turn itself back on. She sticks her head round the kitchen door to have a look and there is a black screen with the word ‘abandoned’ in the centre of the screen. There is then a close up of the babysitter’s feet as she runs up the stairs, and then the camera is at the bottom of the stairs and you see the babysitter running up the stairs from behind.
She goes into Abi’s room and Abi is sat pointing at the mirror. On the mirror it says ‘12.00’. There is a black screen with says ‘vulnerable’ on it. There is then a close-up of a clock pointing at half-11. She picks Abi up and runs to the front door, only to find it locked. She panics and runs to bathroom, which is the only door with a lock. There is a close up of her locking the door and it shows her panic. They stand relaxed as the thinks they have got away from her. They turn around and she is stood in the shower looking at them, with her hands pressed up against the glass screen. Black out and ‘revenge’ comes up.
You can then see the babysitter being dragged down the stairs. Then the babysitter runs to the phone and grabs it dialling 999. The screen goes black.
999 OPERATOR
What service do you require?
BABYSITTER
Help, Help me...
The babysitter screams. Screen goes black.
999 OPERATOR
Hello. Hello...
Screen stays black and there is a flash up on the screen of the date when the film comes out; “Coming soon”. Then there is a black screen and the sound of a dead phone line.
CARISSA – Camera Woman and News reporter (Caitlin)
MARK – Ghost Hunter (Mark Simpson)
JESSICA – Babysitter (Sophia)
ABI – Little Girl (Abi)
JESS’ PARENTS – Mum and Dad (Jane and Thomas)
EMILY – Ghost woman / Ghost Teenager
FADE IN
INT.NEWS STUDIO-EVENING 7.00
There is a close up of a woman who is sitting at a desk, you see her following her auto cue as she describes a local story.
CARISSA
... And now onto the story of a tragic death of a teenage girl, 7 years on. She was brutally murdered on what would have been her 16th birthday, by her mother and father.
FADE OUT
INT.THE HOUSE-EVENING 7.00
The camera is panning across the living room as a black figure is seen in the corner. As the camera pans back across quickly the girl is gone. Throughout this clip there is very dark mise-en-scene and there is also a voice over.
CARISSA
Today, is the day that the parents get released and local ghost hunters have said today will be the day the young girl’s ghost will seek her revenge.
FADE IN
EXT.A FIELD-EVENING 7.00
The scene cuts to a mid shot of Mark stood on a street, waiting to talk to the news reporter.
CARISSA (V.O)
Now let’s speak to one of the local ghost hunters who have recently spoke out about her ghost being active on this day, Mark Simpson. Hello Mark...
Mark looks as if he is going to say hello he has been staring at the camera the whole time.
FADE OUT
FASDE IN
INT.THE HOUSE-EVENING-9.00
The scene shows the babysitter arriving at the house.
THE MOTHER (V.O)
Just play along with her imaginary friend.
Shot of the child’s bedroom door with paintings and drawings on. The parents leave.
FADE OUT
INT. THE HOUSE-EVENING-9.10
The babysitter is sat watching television. Whilst she is watching television there is a loud, persistent banging upon the front door. The babysitter gets up to go and have a look who is banging on the door and finds that there is nobody there.
As the babysitter turns round, the camera gets the first glimpse of the ghost girl, as she walks past the babysitter’s shoulder. The babysitter looks in the little mirror next to the door and she catches a glimpse of the ghost girl in the mirror climbing down the stairs. There is a slow heartbeat sound. As this scares her, she turns around, to her left, to have a look who it is that she has seen. The ghost girl is there and they come face-to-face. This is the first time you see her.
She runs to the kitchen and grabs a knife. As she’s stood in the kitchen, she hears the television turn itself back on. She sticks her head round the kitchen door to have a look and there is a black screen with the word ‘abandoned’ in the centre of the screen. There is then a close up of the babysitter’s feet as she runs up the stairs, and then the camera is at the bottom of the stairs and you see the babysitter running up the stairs from behind.
She goes into Abi’s room and Abi is sat pointing at the mirror. On the mirror it says ‘12.00’. There is a black screen with says ‘vulnerable’ on it. There is then a close-up of a clock pointing at half-11. She picks Abi up and runs to the front door, only to find it locked. She panics and runs to bathroom, which is the only door with a lock. There is a close up of her locking the door and it shows her panic. They stand relaxed as the thinks they have got away from her. They turn around and she is stood in the shower looking at them, with her hands pressed up against the glass screen. Black out and ‘revenge’ comes up.
You can then see the babysitter being dragged down the stairs. Then the babysitter runs to the phone and grabs it dialling 999. The screen goes black.
999 OPERATOR
What service do you require?
BABYSITTER
Help, Help me...
The babysitter screams. Screen goes black.
999 OPERATOR
Hello. Hello...
Screen stays black and there is a flash up on the screen of the date when the film comes out; “Coming soon”. Then there is a black screen and the sound of a dead phone line.
Director.
Herschell Gordon Lewis is the director who created the ‘Slasher movie’ concept, he dramatically changed the Horror genre and made audiences feel fear like no other. He has directed films such as ‘Prom night’ and ‘Friday the 13th’ these were major films and earned the box office a lot of money. Here are a few of the films he has directed:
The Gore-Gore Girls (aka Blood Orgy) (1975) [Producer and Director]
Year of the Yahoo! (1974) [Producer and Director]
This Stuff’ll Kill Ya! (1973) [Director]
Miss Nymphet's Zap-ln (1972) [Director]
Stick It in Your Ear (1971) [Producer] [aka Vortex]
The Wizard of Gore (1971) [Director, Writer]
The Ecstasies of Women (1970) [Director under pseudonym]
Linda and Abilene (1969) [Director under pseudonym]
How to Make a Doll (1968) [Director]
Just for the Hell of It (1968) [Director]
The Psychic (1968) [Cinematographer]
The Girl, the Body, and the Pill (1967) [Director]
The Gruesome Twosome (1967) [Director]
The Magic Land. of Mother Goose (1967) [Director and Cinematographer]
Something Weird (1967) [Director]
Suburban Roulette (1967) [Producer and Director, Co-writer]
A Taste of Blood (1967) [Producer and Director]
Alley Tramp (1966) [Director under pseudonym]
Jimmy, the Boy Wonder (1966) [Director]
Color Me Blood Red (1965) [Director, Writer. Cinematographer]
Monster a Go-Go (1965) [Director, Producer as Sheldon Seymour]
Sin, Suffer, Repent (1965) [Director, Cinematographer]
She-Devils on Wheels (1968) [Producer and Director]
Blast-Off Girls (1967) [Producer and Director, Writer]
Boin-n-g (1963) [Director]
Goldilocks and the Three Bares (1963) [Director under pseudonym]
Scum of the Earth (1963) [Director] Daughter of the Sun (1962) [Director under pseudonym, Writer]
Nature’s Playmates (1962) [Director under pseudonym]
The Adventures Of Lucky Pierre (1962) [Director under pseudonym, Writer]
Living Venus (1961) [Producer and Director]
The Prime Time (1960) [Producer]
2,000 Maniacs! (1964) [Director, Writer, Wrote musical score]
Moonshine Mountain (1964) [Procucer and Director, Cinematographer]
Bell, Bare, and Beautiful (1963) [Director under pseudonym]
Blood Feast (1963) [Director, Cinematographer, Composer]
Blood Feast 2 (2002) [Director]
Grim Fairy Tales (March 2009) (Director) "In Production"
(http://herschellgordonlewis.com/films.htm)
He is head of Lewis enterprise and is arguably the best known director and business man within the United States of America. As well as being well known for being a director he is also recognized for the many books he has written and published, such as, Selling on the net and the worlds greatest direct mail sales letters.
The Gore-Gore Girls (aka Blood Orgy) (1975) [Producer and Director]
Year of the Yahoo! (1974) [Producer and Director]
This Stuff’ll Kill Ya! (1973) [Director]
Miss Nymphet's Zap-ln (1972) [Director]
Stick It in Your Ear (1971) [Producer] [aka Vortex]
The Wizard of Gore (1971) [Director, Writer]
The Ecstasies of Women (1970) [Director under pseudonym]
Linda and Abilene (1969) [Director under pseudonym]
How to Make a Doll (1968) [Director]
Just for the Hell of It (1968) [Director]
The Psychic (1968) [Cinematographer]
The Girl, the Body, and the Pill (1967) [Director]
The Gruesome Twosome (1967) [Director]
The Magic Land. of Mother Goose (1967) [Director and Cinematographer]
Something Weird (1967) [Director]
Suburban Roulette (1967) [Producer and Director, Co-writer]
A Taste of Blood (1967) [Producer and Director]
Alley Tramp (1966) [Director under pseudonym]
Jimmy, the Boy Wonder (1966) [Director]
Color Me Blood Red (1965) [Director, Writer. Cinematographer]
Monster a Go-Go (1965) [Director, Producer as Sheldon Seymour]
Sin, Suffer, Repent (1965) [Director, Cinematographer]
She-Devils on Wheels (1968) [Producer and Director]
Blast-Off Girls (1967) [Producer and Director, Writer]
Boin-n-g (1963) [Director]
Goldilocks and the Three Bares (1963) [Director under pseudonym]
Scum of the Earth (1963) [Director] Daughter of the Sun (1962) [Director under pseudonym, Writer]
Nature’s Playmates (1962) [Director under pseudonym]
The Adventures Of Lucky Pierre (1962) [Director under pseudonym, Writer]
Living Venus (1961) [Producer and Director]
The Prime Time (1960) [Producer]
2,000 Maniacs! (1964) [Director, Writer, Wrote musical score]
Moonshine Mountain (1964) [Procucer and Director, Cinematographer]
Bell, Bare, and Beautiful (1963) [Director under pseudonym]
Blood Feast (1963) [Director, Cinematographer, Composer]
Blood Feast 2 (2002) [Director]
Grim Fairy Tales (March 2009) (Director) "In Production"
(http://herschellgordonlewis.com/films.htm)
He is head of Lewis enterprise and is arguably the best known director and business man within the United States of America. As well as being well known for being a director he is also recognized for the many books he has written and published, such as, Selling on the net and the worlds greatest direct mail sales letters.
Similar Movies.
Title: When a stranger calls
Release date: 12th May 2006
Plot: A high-school student is babysitting for a local mother, whilst she is babysitting a prank caller decides to pay her a call.
Genre: Horror/Thriller.
Rating: 5/10
Title: One missed call
Release date: 4th April 2008
Plot: Characters start receiving voice mails from their future selves.
Genre: Horror/ Thriller
Rating: 4/10
Title: He knows you’re alone.
Release date: 12th September 1980.
Plot: A blushing bride is being stalked by a serial killer.
Genre: Horror/Thriller
Rating: 4/10
Release date: 12th May 2006
Plot: A high-school student is babysitting for a local mother, whilst she is babysitting a prank caller decides to pay her a call.
Genre: Horror/Thriller.
Rating: 5/10
Title: One missed call
Release date: 4th April 2008
Plot: Characters start receiving voice mails from their future selves.
Genre: Horror/ Thriller
Rating: 4/10
Title: He knows you’re alone.
Release date: 12th September 1980.
Plot: A blushing bride is being stalked by a serial killer.
Genre: Horror/Thriller
Rating: 4/10
Stereotypes
Whilst watching horror movies for my blog I realised that there was many stereotypical things within the horror/thriller genre. Here are a few I noticed:
• The police never believe the victim of the text.
• The killer is usually killed by the hero, however, the hero never checks if he really is dead and ends up being killed himself.
• All horror films use sudden noises.
• A sudden hand on the hero’s shoulder.
• Young woman trips and sprains ankle.
• The hero usually traps himself by running upstairs or into a corner etc.
• The police never believe the victim of the text.
• The killer is usually killed by the hero, however, the hero never checks if he really is dead and ends up being killed himself.
• All horror films use sudden noises.
• A sudden hand on the hero’s shoulder.
• Young woman trips and sprains ankle.
• The hero usually traps himself by running upstairs or into a corner etc.
How Horror/ Thriller has evolved over time.
Horror movies began in the 1940’s with films such as Frankenstein and Dracula, these films dragged audience’s into the theatres by the promise to scare people. However, these films were very short lived and therefore the novelty wore off very quickly. After World War II the idea of mummies and zombies began to wear off with the public so directors began to play around with the idea’s of aliens and colossal insects with was believed to have originated from World War II itself. With the director’s inspired a new range of movies were delivered onto the market.
In the 1950’s a new audience was introduced into Hollywood’s sights, these were the teenagers of the time. Hollywood quickly realised that they had a chance to broaden there market and set to making movies to be shown on television. This core audience became the start of a new set of movies known as ‘exploitation teenpics.’
In 1957 the movie The Curse of Frankenstein was delivered to the market and this shocked audiences all over the world. This production showed blood and gore but in colour which teenagers loved. Hollywood responded by making a series of ‘Horror teenpics’.
In 1963 a man named Herschell Gordon Lewis invented a new twist to the common horror film. Instead of a young man being the main objective of the ‘creature’ instead a young attractive woman was the main victim. He added the idea of stalking and mutilation happening to the young woman instead of the ‘hero’ character. This produced very harsh movies and the public instantly showed their fondness.
After this special affects began to advance within horror movies, this allowed the audience to see more violence and unrealistic scenes which is exactly what the younger audiences were asking for. Since special effects have appeared within horror movies they become more successfully commercial and some have even broken records within the box office. In 1978 a movie called Halloween was produced and this broke not only the record for the most tickets sold within the horror genre but the most box office tickets sold for any movie ever.
Hollywood noticed this rating and instantly created movies along the same plot, hoping to repeat the previous success of Halloween. Movies such as Prom night and Friday the 13th were brought onto the market by Hollywood directors. These were some of the first Slasher movies invented which were very successful. However, along with the success also came the critics saying that Slasher films only portrayed violent attacks upon young women and mixing sex scenes within vicious and brutal attacks.
In the 1950’s a new audience was introduced into Hollywood’s sights, these were the teenagers of the time. Hollywood quickly realised that they had a chance to broaden there market and set to making movies to be shown on television. This core audience became the start of a new set of movies known as ‘exploitation teenpics.’
In 1957 the movie The Curse of Frankenstein was delivered to the market and this shocked audiences all over the world. This production showed blood and gore but in colour which teenagers loved. Hollywood responded by making a series of ‘Horror teenpics’.
In 1963 a man named Herschell Gordon Lewis invented a new twist to the common horror film. Instead of a young man being the main objective of the ‘creature’ instead a young attractive woman was the main victim. He added the idea of stalking and mutilation happening to the young woman instead of the ‘hero’ character. This produced very harsh movies and the public instantly showed their fondness.
After this special affects began to advance within horror movies, this allowed the audience to see more violence and unrealistic scenes which is exactly what the younger audiences were asking for. Since special effects have appeared within horror movies they become more successfully commercial and some have even broken records within the box office. In 1978 a movie called Halloween was produced and this broke not only the record for the most tickets sold within the horror genre but the most box office tickets sold for any movie ever.
Hollywood noticed this rating and instantly created movies along the same plot, hoping to repeat the previous success of Halloween. Movies such as Prom night and Friday the 13th were brought onto the market by Hollywood directors. These were some of the first Slasher movies invented which were very successful. However, along with the success also came the critics saying that Slasher films only portrayed violent attacks upon young women and mixing sex scenes within vicious and brutal attacks.
Shooting Regulations
To make sure that we were not going against health and safety regulations we all searched and read them on the internet. We discovered that the script we had written was perfectly fine and was within the health and safety regulations and therefore we could proceed with filming like we originally planned.
Saturday, 31 October 2009
Simular trailers....
Our original idea for our coursework was to use hand held camera's so the audience could feel very connected to the main character, i therefore decided to watch films and trailers that use these techniques.
I started by watching Cloverfield, this used alot of hand held techniques but didn't hold the suspense of the audience very well and therefore i didn't rate it very well. However, it did give me some good ideas, such as a diary like approach to the production, this could give the audience a first person perspective on the final text. However, after writing up our story board me and my group decided that it would look more professional to use tri-pod's and planned angles rather than hand held shots.
The next film i watched was Blair witch project, this again used hand held shots it also did something that cloverfield didn't, it kept an element of surprise and this carried the suspense within the audience and therefore was a better horror and gave me alot more idea's than Cloverfield. I gave me the idea of linking an object with the ghost rather than showing the actual ghost it's self. For example in Blair witch you see the witch's belongings but you never get to see the witch itself. We adapted this into our trailer and had the first scary scene as the babysitter answering the door to no body, this builds fear in the audience and allows them to expect something.
Tuesday, 27 October 2009
Opening
My Name is Emily Bacon and i am currently studying Media studies at A2 level. This is my coursework blog.
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